@font-face {
  font-family: "Cinzel Decorative";
  src: url("/fonts/CinzelDecorative-Bold.ttf") format("truetype");
  font-weight: 700;
  font-style: normal;
  font-display: swap;
}

@font-face {
  font-family: "Cinzel";
  src: url("/fonts/Cinzel.ttf") format("truetype");
  font-weight: 400 900;
  font-style: normal;
  font-display: swap;
}

:root {
  --soot: #0b0907;
  --iron: #1c1612;
  --ash: #b9a58a;
  --ember: #e39a3a;
  --core: #ffd27a;
  --rim: rgba(227, 154, 58, 0.35);
  /* Malachite set in iron: the one cold, living colour in a world lit by
     fire. Lit at the top like the gold it replaces, so the two read as the
     same material family under the same lamp. */
  --jade-lit: #1e8452;
  --jade: #14663f;
  --jade-deep: #0b4227;
  --jade-rim: #3fb277;
  --parchment: #f7edd4;
  /* The relief of the Roll slab, held apart from its glow so the glow can
     breathe in @keyframes without restating it. The inner jade line inside a
     gold border is the heraldic reading: or on vert, gold upon green. */
  --roll-relief:
    0 0 0 1px rgba(0, 0, 0, 0.72),
    inset 0 0 0 1px rgba(4, 32, 19, 0.62),
    inset 0 2px 0 rgba(198, 255, 220, 0.2),
    inset 0 -4px 11px rgba(0, 0, 0, 0.48);
  /* Reserved width of the share stud. Declared on BOTH sides of Roll, which
     is the whole anchoring mechanism -- see #war-table. */
  --slot: 2.75rem;
  /* Not one right angle left on the bar. Every corner carries TWO radii, so
     the curve is elliptical rather than circular -- the difference between a
     corner that was forged and worn and a corner that was set in a stylesheet.
     Bottoms are tighter than tops, the way a chest lid or an altar tablet
     sits on its base. */
  --edge-panel: 20px 20px 14px 14px / 15px 15px 11px 11px;
  --edge-slab: 14px 14px 12px 12px / 12px 12px 10px 10px;
  --edge-plate: 13px 13px 11px 11px / 10px 10px 9px 9px;
  /* Vellum tooth. Inline feTurbulence -- no asset, no request. */
  --tooth: url("data:image/svg+xml,%3Csvg xmlns='http://www.w3.org/2000/svg' width='160' height='160'%3E%3Cfilter id='t'%3E%3CfeTurbulence type='fractalNoise' baseFrequency='0.9' numOctaves='4' stitchTiles='stitch'/%3E%3C/filter%3E%3Crect width='160' height='160' filter='url(%23t)'/%3E%3C/svg%3E");
  /* Same tooth with its opacity baked in, because a background LAYER cannot
     carry one -- and the grain on the Roll plate has to sit UNDER the
     lettering, which rules out doing it with a pseudo-element. */
  --tooth-faint: url("data:image/svg+xml,%3Csvg xmlns='http://www.w3.org/2000/svg' width='160' height='160'%3E%3Cfilter id='t'%3E%3CfeTurbulence type='fractalNoise' baseFrequency='0.85' numOctaves='4' stitchTiles='stitch'/%3E%3C/filter%3E%3Crect width='160' height='160' filter='url(%23t)' opacity='0.075'/%3E%3C/svg%3E");
  /* The bezel. A cast band, not a stroke: lit hard along the top, falling to
     old gold through the middle, with a thin kick at the bottom edge where
     the floor throws light back up. Held in a variable because the border
     and the two rivets are struck from the same metal. */
  --gold-cast: linear-gradient(
    180deg,
    #ffe6ab 0%,
    #e8bd6d 22%,
    #b8862f 50%,
    #7d5a1d 76%,
    #d3a552 100%
  );
}

* {
  box-sizing: border-box;
}

html,
body {
  margin: 0;
  width: 100%;
  height: 100%;
  overflow: hidden;
  position: fixed;
  inset: 0;
  background: var(--soot);
  color: var(--ash);
  font-family: "Cormorant Garamond", serif;
  -webkit-font-smoothing: antialiased;
  overscroll-behavior: none;
  touch-action: none;
  user-select: none;
}

#stage {
  position: absolute;
  inset: 0;
  width: 100%;
  height: 100%;
  overflow: hidden;
  overscroll-behavior: none;
  touch-action: none;
  background: var(--soot);
}

.film {
  position: absolute;
  inset: 0;
  z-index: 0;
  width: 100%;
  height: 100%;
  object-fit: cover;
  object-position: 50% 50%;
  opacity: 1;
  pointer-events: none;
}

#die-stage {
  position: absolute;
  inset: 0;
  z-index: 1;
  width: 100%;
  height: 100%;
  pointer-events: none;
}

#soot {
  position: absolute;
  inset: 0;
  z-index: 2;
  pointer-events: none;
  background:
    linear-gradient(to top, rgba(11, 9, 7, 0.78) 0%, rgba(11, 9, 7, 0.12) 22%, transparent 40%),
    linear-gradient(to bottom, rgba(11, 9, 7, 0.42) 0%, transparent 18%);
}

#ember {
  position: absolute;
  inset: auto 0 0;
  height: 36%;
  z-index: 2;
  pointer-events: none;
  background: radial-gradient(ellipse at 50% 120%, rgba(227, 154, 58, 0.14), transparent 62%);
}

#mast {
  position: absolute;
  top: max(1.25rem, env(safe-area-inset-top));
  left: max(1.4rem, env(safe-area-inset-left));
  z-index: 5;
  text-shadow: 0 2px 18px #000;
}

.mast-mark {
  margin: 0;
  font-family: "Cinzel Decorative", serif;
  font-weight: 700;
  font-size: clamp(1.4rem, 3vw, 2.1rem);
  letter-spacing: 0.06em;
  color: var(--core);
}

.mast-sub {
  margin: 0.15rem 0 0;
  font-family: "Cinzel", serif;
  font-weight: 500;
  font-size: 0.85rem;
  letter-spacing: 0.16em;
  text-transform: uppercase;
  color: var(--ash);
}

#mute {
  position: absolute;
  top: max(1.1rem, env(safe-area-inset-top));
  right: max(1.1rem, env(safe-area-inset-right));
  z-index: 7;
  display: grid;
  place-items: center;
  width: 44px;
  height: 44px;
  padding: 0;
  color: var(--core);
  /* Share's twin by construction, so it follows share into the round. */
  background:
    radial-gradient(circle at 34% 26%, rgba(255, 210, 122, 0.17), transparent 58%),
    linear-gradient(180deg, rgba(42, 32, 25, 0.82), rgba(14, 11, 9, 0.88));
  border: 1px solid rgba(227, 154, 58, 0.44);
  border-radius: 50%;
  box-shadow:
    inset 0 1px 0 rgba(255, 210, 122, 0.18),
    inset 0 -2px 5px rgba(0, 0, 0, 0.45),
    0 2px 6px rgba(0, 0, 0, 0.5);
  cursor: pointer;
}

#mute svg {
  width: 22px;
  height: 22px;
}

#mute .mute-off,
#mute[aria-pressed="true"] .mute-on {
  display: none;
}

#mute[aria-pressed="true"] .mute-off {
  display: block;
}

#mute:hover {
  filter: brightness(1.08);
}

#mute:active {
  transform: scale(0.97);
}

#dock {
  position: absolute;
  z-index: 6;
  left: 0;
  right: 0;
  bottom: 0;
  display: flex;
  flex-direction: column;
  align-items: center;
  gap: 0.65rem;
  padding: 0 1.2rem max(1.4rem, calc(env(safe-area-inset-bottom) + 0.75rem));
  pointer-events: none;
}

#hort {
  position: relative;
  z-index: 5;
  width: min(42rem, 100%);
  margin: 0;
  padding: 0.85rem 1.1rem 0.75rem;
  text-align: center;
  background: linear-gradient(180deg, rgba(18, 14, 11, 0.82), rgba(11, 9, 7, 0.9));
  border: 1px solid var(--rim);
  /* The card is not the bar and keeps its quieter material, but it sits
     directly against it -- leaving the one square corner on screen right
     above the softened plaque read as an oversight, not a distinction. */
  border-radius: 16px 16px 13px 13px / 13px 13px 10px 10px;
  box-shadow: 0 12px 28px rgba(0, 0, 0, 0.4);
  pointer-events: none;
}

#hort[hidden] {
  display: none;
}

.hort-roll {
  margin: 0 0 0.35rem;
  font-family: "Cinzel", serif;
  font-size: 0.78rem;
  letter-spacing: 0.22em;
  text-transform: uppercase;
  color: var(--core);
}

.hort-line {
  margin: 0;
  font-family: "Cormorant Garamond", serif;
  font-style: italic;
  font-size: clamp(1.05rem, 2.4vw, 1.35rem);
  line-height: 1.35;
  color: #f3e6c8;
  text-wrap: pretty;
}

.hort-context {
  margin: 0.45rem 0 0;
  font-family: "Cormorant Garamond", serif;
  font-size: clamp(0.88rem, 1.8vw, 1rem);
  line-height: 1.4;
  color: #b9a58a;
  text-wrap: pretty;
}

#hort cite {
  display: block;
  margin-top: 0.4rem;
  font-family: "Cinzel", serif;
  font-style: normal;
  font-size: 0.68rem;
  letter-spacing: 0.22em;
  text-transform: uppercase;
  color: var(--ember);
}

/*
 * The war table: one iron plaque in two registers.
 *
 * ANCHORING. The panel has a declared width and row 1 has declared outer
 * tracks, so the Roll button's box is a pure function of the panel -- not of
 * which siblings are rendered, not of the label font, not of which
 * environment is selected. Every state change (idle -> rolling -> rolled,
 * share appearing, quote card opening, a longer option being chosen) leaves
 * its bounding rect byte-identical. Reserve the space; never reflow around
 * the affordance that appears.
 */
#war-table {
  position: relative;
  z-index: 6;
  display: grid;
  gap: 0.5rem;
  width: min(32rem, 100%);
  padding: 0.62rem 0.95rem 0.68rem;
  pointer-events: auto;
  /* Oiled leather over dark oak, with the lamp above and to the front: a warm
     bloom at the top edge, the bottom falling away into the shadow the film is
     already casting. */
  background:
    radial-gradient(125% 88% at 50% -22%, rgba(255, 210, 122, 0.1), transparent 62%),
    linear-gradient(180deg, rgba(38, 29, 23, 0.9), rgba(11, 9, 7, 0.94));
  border: 1px solid rgba(227, 154, 58, 0.44);
  border-radius: var(--edge-panel);
  box-shadow:
    0 0 0 1px rgba(0, 0, 0, 0.8),
    0 20px 44px rgba(0, 0, 0, 0.6),
    inset 0 1px 0 rgba(255, 210, 122, 0.16),
    inset 0 -20px 34px rgba(0, 0, 0, 0.34);
}

/* The engraved rule inside the edge -- the double border of a manuscript
   page, or the scribe line on a tooled cover. Absolute, so it does NOT
   become a third grid row. */
#war-table::before {
  content: "";
  position: absolute;
  z-index: 0;
  inset: 4px;
  border: 1px solid rgba(227, 154, 58, 0.17);
  border-radius: calc(20px - 4px) calc(20px - 4px) calc(14px - 4px) calc(14px - 4px) /
    calc(15px - 4px) calc(15px - 4px) calc(11px - 4px) calc(11px - 4px);
  pointer-events: none;
}

#war-table::after {
  content: "";
  position: absolute;
  z-index: 0;
  inset: 0;
  border-radius: inherit;
  opacity: 0.055;
  background-image: var(--tooth);
  pointer-events: none;
}

/* Both rails ride ABOVE the two decorative layers. */
.rail {
  position: relative;
  z-index: 1;
}

.rail-act {
  display: grid;
  /* [reserved] [Roll] [share stud]. Both outer tracks are declared widths,
     so the track exists even while #share is display:none. */
  grid-template-columns: var(--slot) minmax(0, 1fr) var(--slot);
  align-items: center;
  gap: 0.55rem;
}

.rail-pick {
  display: grid;
  /* [Environment] [Die skin] [Die]. Declared tracks, so a select's box does
     not depend on which option is selected -- and minmax(0, ...) so a long
     option cannot blow its track open and shove the others. Row 1 above is
     untouched; the Roll button's anchoring contract lives there. */
  grid-template-columns: minmax(0, 1.25fr) minmax(0, 1.3fr) minmax(0, 0.55fr);
  gap: 0.55rem;
  align-items: end;
  padding-top: 0.68rem;
}

/* A sourcebook rule, not a border: it fades out before it reaches either
   edge, so nothing squares off against the panel's corners. */
.rail-pick::before {
  content: "";
  position: absolute;
  top: 0;
  right: 7%;
  left: 7%;
  height: 1px;
  background: linear-gradient(
    90deg,
    transparent,
    rgba(227, 154, 58, 0.36) 16%,
    rgba(227, 154, 58, 0.36) 84%,
    transparent
  );
  pointer-events: none;
}

/* The lozenge on the rule -- heraldry's own full stop. */
.rail-pick::after {
  content: "";
  position: absolute;
  top: -3px;
  left: 50%;
  width: 7px;
  height: 7px;
  margin-left: -3.5px;
  transform: rotate(45deg);
  background: linear-gradient(135deg, var(--core), var(--ember));
  box-shadow:
    0 0 7px rgba(227, 154, 58, 0.5),
    0 0 0 2.5px rgba(11, 9, 7, 0.92);
  pointer-events: none;
}

.plaque {
  display: grid;
  gap: 0.24rem;
  min-width: 0;
}

.plaque span {
  padding-left: 0.08rem;
  font-family: "Cinzel", serif;
  font-size: 0.6rem;
  letter-spacing: 0.26em;
  text-transform: uppercase;
  /* Quiet, but not below AA: 0.66 alpha measured 4.16:1 on this panel at
     9.6px, 0.78 measures 5.35:1. Hierarchy is carried by size and position
     here, so the label can afford the contrast. */
  color: rgba(227, 154, 58, 0.78);
  /* Chiselled in, not printed on: the cut edge below, the lit edge above. */
  text-shadow:
    0 1px 0 rgba(0, 0, 0, 0.8),
    0 -1px 0 rgba(255, 210, 122, 0.05);
}

select,
button {
  font: inherit;
  color: var(--core);
  background: #120e0b;
  border: 1px solid #5a4630;
  border-radius: 0;
  min-height: 44px;
  touch-action: manipulation;
  -webkit-tap-highlight-color: transparent;
}

button:disabled {
  opacity: 0.45;
  pointer-events: none;
}

select {
  appearance: none;
  padding: 0.65rem 2rem 0.65rem 0.8rem;
  /* Was two gradient triangles meeting at a hard point. Now a drawn chevron
     with round caps -- the same stroked hand as the mute and share glyphs. */
  background-image: url("data:image/svg+xml,%3Csvg xmlns='http://www.w3.org/2000/svg' viewBox='0 0 12 8'%3E%3Cpath d='M1.5 2.2 6 6.1l4.5-3.9' fill='none' stroke='%23e39a3a' stroke-width='1.7' stroke-linecap='round' stroke-linejoin='round'/%3E%3C/svg%3E");
  background-position: calc(100% - 11px) 55%;
  background-size: 12px 8px;
  background-repeat: no-repeat;
  font-family: "Cinzel", serif;
  font-size: 0.95rem;
}

/* Native <select> throughout -- the ids and keyboard behaviour are load
   bearing. Only the skin changes: recessed brass nameplates, sized and
   coloured to sit UNDER the Roll slab in the reading order. */
.plaque select {
  width: 100%;
  min-height: 40px;
  padding: 0.4rem 1.7rem 0.4rem 0.68rem;
  font-size: 0.82rem;
  letter-spacing: 0.03em;
  color: #dbc8a7;
  background-color: rgba(9, 7, 6, 0.72);
  background-position: calc(100% - 10px) 55%;
  border-color: rgba(227, 154, 58, 0.28);
  border-radius: var(--edge-plate);
  /* Sunk into the leather rather than laid on it. */
  box-shadow:
    inset 0 2px 4px rgba(0, 0, 0, 0.55),
    0 1px 0 rgba(255, 210, 122, 0.05);
  cursor: pointer;
  text-overflow: ellipsis;
  /* Draws the OS popup dark on macOS instead of a white sheet. */
  color-scheme: dark;
}

.plaque select:hover {
  color: var(--core);
  border-color: rgba(227, 154, 58, 0.5);
}

.plaque option {
  background: #120e0b;
  color: var(--core);
}

select:focus,
button:focus-visible {
  outline: 2px solid var(--ember);
  outline-offset: 2px;
}

/* The attractor, and now a cartouche: a green field held in a cast gold
   bezel, riveted at each end. Bigger than anything else on screen, the only
   cold colour in the frame, and the only thing that moves while nothing is
   happening.
 *
 * WHY THE BORDER IS TRANSPARENT. A 1px gold hairline read as a stroke someone
 * put round a button. A bezel has to have width and its own lighting, and
 * `border-image` would square the corners off. So the border is 3px of
 * nothing and the gold is a background layer clipped to the border box, while
 * the green field is clipped to the padding box -- one element, two clips,
 * concentric radii for free. `box-sizing: border-box` means the extra 2px of
 * border per side comes out of the padding box, not out of the anchored rect.
 */
#roll {
  position: relative;
  grid-column: 2;
  /* Was 3.4rem/0.9rem, which gave a 6.2:1 plate -- at that aspect no radius
     reads as anything but a pill. Taller pulls it to ~4.7:1: a tablet. */
  min-height: 4rem;
  padding: 0.95rem 1rem;
  font-family: "Cinzel Decorative", serif;
  font-size: clamp(1.3rem, 3.6vw, 1.62rem);
  letter-spacing: 0.3em;
  /* letter-spacing hangs a trailing gap after the last glyph; the indent
     pays it back so the word sits optically centred. */
  text-indent: 0.3em;
  text-transform: uppercase;
  cursor: pointer;
  color: var(--parchment);
  text-shadow: 0 1px 0 rgba(0, 0, 0, 0.55);
  /* Topmost first: hammered grain, the lamp on the field, the jade itself,
     then the bezel underneath showing only through the transparent border. */
  background-color: transparent;
  background-image:
    var(--tooth-faint),
    radial-gradient(120% 140% at 50% -30%, rgba(160, 255, 200, 0.16), transparent 58%),
    linear-gradient(180deg, var(--jade-lit) 0%, var(--jade) 52%, var(--jade-deep) 100%),
    var(--gold-cast);
  background-origin: padding-box, padding-box, padding-box, border-box;
  background-clip: padding-box, padding-box, padding-box, border-box;
  border: 3px solid transparent;
  border-radius: var(--edge-slab);
  box-shadow: var(--roll-relief), 0 10px 26px rgba(46, 170, 106, 0.36);
  transition:
    transform 0.3s cubic-bezier(0.34, 1.56, 0.64, 1),
    filter 0.2s ease,
    border-color 0.2s ease;
}

/* Two rivets struck through the plate, one at each end -- the same gold as
   the bezel, so they read as the pins holding it on rather than as flecks in
   the enamel. Each is one gradient: domed highlight, gold body, then a dark
   seat ring where it bites into the green. The pair share a layer, which is
   why the portrait override can move both with one background-position. */
#roll::before {
  content: "";
  position: absolute;
  inset: 0;
  border-radius: inherit;
  background-image:
    radial-gradient(
      circle 4.5px at 17px 50%,
      #fff6dd 0%,
      #f0c877 34%,
      #a8781f 68%,
      rgba(3, 26, 15, 0.9) 90%,
      transparent 100%
    ),
    radial-gradient(
      circle 4.5px at calc(100% - 17px) 50%,
      #fff6dd 0%,
      #f0c877 34%,
      #a8781f 68%,
      rgba(3, 26, 15, 0.9) 90%,
      transparent 100%
    );
  background-repeat: no-repeat;
  pointer-events: none;
}

@keyframes roll-breathe {
  0%,
  100% {
    box-shadow: var(--roll-relief), 0 9px 24px rgba(46, 170, 106, 0.28);
  }
  50% {
    box-shadow: var(--roll-relief), 0 13px 34px rgba(70, 205, 135, 0.5);
  }
}

@media (prefers-reduced-motion: no-preference) {
  /* box-shadow only: the glow breathes, the box never moves. */
  #roll:not(:disabled) {
    animation: roll-breathe 4.6s ease-in-out infinite;
  }
}

/* Deliberately NOT border-color any more: the border is the window the bezel
   shows through, so colouring it would paint a flat green ring over the gold.
   The lift is the whole object brightening, which is what metal does. */
#roll:hover {
  filter: brightness(1.1) saturate(1.05);
}

/* A round iron boss with an etched glyph -- deliberately the same object as
   the mute button top-right, so the two secondary controls read as one
   family. Circular, which is both the most medieval fitting on the bar and
   the furthest thing from a right angle. */
#share {
  position: relative;
  grid-column: 3;
  justify-self: center;
  display: grid;
  place-items: center;
  width: var(--slot);
  height: var(--slot);
  padding: 0;
  cursor: pointer;
  color: var(--core);
  background:
    radial-gradient(circle at 34% 26%, rgba(255, 210, 122, 0.17), transparent 58%),
    linear-gradient(180deg, rgba(42, 32, 25, 0.88), rgba(14, 11, 9, 0.92));
  border-color: rgba(227, 154, 58, 0.44);
  border-radius: 50%;
  box-shadow:
    inset 0 1px 0 rgba(255, 210, 122, 0.18),
    inset 0 -2px 5px rgba(0, 0, 0, 0.45),
    0 2px 6px rgba(0, 0, 0, 0.5);
  transition:
    transform 0.3s cubic-bezier(0.34, 1.56, 0.64, 1),
    filter 0.2s ease,
    border-color 0.2s ease;
}

#share svg {
  width: 20px;
  height: 20px;
}

#share:hover {
  filter: brightness(1.15);
  border-color: var(--ember);
}

/* Copied / Saved / Failed. A floating pill, not a label swap: the button is
   an icon now, and rewriting its text content would eat the glyph AND
   resize the stud. Absolute, so it costs no layout. */
#share[data-flash]::after {
  content: attr(data-flash);
  position: absolute;
  left: 50%;
  bottom: calc(100% + 0.5rem);
  transform: translateX(-50%);
  padding: 0.24rem 0.55rem;
  border-radius: 9px / 7px;
  font-family: "Cinzel", serif;
  font-size: 0.6rem;
  letter-spacing: 0.18em;
  text-transform: uppercase;
  white-space: nowrap;
  color: var(--core);
  background: rgba(11, 9, 7, 0.94);
  border: 1px solid var(--rim);
  pointer-events: none;
}

#roll:active,
#share:active {
  transform: scale(0.97);
}

#roll:disabled,
#share:disabled {
  cursor: wait;
  filter: grayscale(0.35) brightness(0.8);
}

#share[hidden] {
  display: none;
}

@media (max-width: 720px) {
  #mast {
    top: max(0.7rem, env(safe-area-inset-top));
    left: max(0.9rem, env(safe-area-inset-left));
  }

  .mast-mark {
    font-size: 1.2rem;
  }

  .mast-sub {
    letter-spacing: 0.1em;
    font-size: 0.72rem;
  }

  #mute {
    top: max(0.55rem, env(safe-area-inset-top));
    right: max(0.55rem, env(safe-area-inset-right));
  }

  #dock {
    padding: 0 max(0.7rem, env(safe-area-inset-left)) max(0.7rem, calc(env(safe-area-inset-bottom) + 0.5rem))
      max(0.7rem, env(safe-area-inset-right));
    gap: 0.5rem;
  }

  #war-table {
    width: 100%;
    gap: 0.45rem;
    padding: 0.55rem 0.7rem 0.6rem;
    border-radius: 17px 17px 12px 12px / 13px 13px 10px 10px;
  }

  #war-table::before {
    inset: 4px;
    border-radius: 13px 13px 8px 8px / 9px 9px 6px 6px;
  }

  .rail-act {
    gap: 0.45rem;
  }

  .rail-pick {
    padding-top: 0.6rem;
  }

  #roll {
    min-height: 3.6rem;
    padding: 0.85rem 0.6rem;
    letter-spacing: 0.24em;
    text-indent: 0.24em;
    border-radius: 12px 12px 10px 10px / 10px 10px 8px 8px;
  }

  /* Both rivets in by 4px on the narrower plate, one shift for the pair. */
  #roll::before {
    background-position:
      -4px 0,
      4px 0;
  }

  .plaque select {
    font-size: 0.8rem;
    padding-right: 1.55rem;
  }

  #hort {
    width: 100%;
    padding: 0.65rem 0.75rem 0.55rem;
  }

  .hort-line {
    font-size: 1.02rem;
  }

  .hort-context {
    font-size: 0.86rem;
  }
}

@media (max-width: 720px) and (max-height: 740px) {
  .hort-line {
    font-size: 0.95rem;
  }

  .hort-context {
    font-size: 0.8rem;
  }
}

/* Under 380px three tracks are all too narrow to read. Environment -- the
   longest label of the three -- takes a full-width row of its own above Skin
   and Die. Two rows, no empty cells; the panel grows downward and row 1 does
   not move. (DOM order is Environment, Skin, Die, so :first-child is the one
   to promote.) */
@media (max-width: 380px) {
  .rail-pick {
    grid-template-columns: 1fr 1fr;
  }

  .rail-pick .plaque:first-child {
    grid-column: 1 / -1;
  }
}